展覽
《吟遊於母星之間》曾詩涵個展
「吟遊於母星之間」曾詩涵個展
2026.06.20 – 2026.08.01
本次展覽聚焦藝術家近年重要生命旅程與精神轉化歷程，作品靈感來自2025年前往尼泊爾喜馬拉雅山聖母峰基地營（Everest Base Camp, EBC）健行的經驗，以及同年於法國科西嘉島駐村期間所感受到的人文氛圍與文化衝擊。透過膠彩、水墨與礦物顏料層層堆疊的畫面語彙，藝術家重新編織山脈、大地與內在心識之間的深層連結。
曾詩涵長期以膠彩媒材作為創作核心，近年作品逐漸從具象敘事轉向精神性與內在感知的探索。此次展覽中，藝術家將旅途中對於自然環境的深刻感受轉化為畫面中的能量痕跡。從喜馬拉雅山脈寒冷稀薄的空氣、不可預測的氣候與身體極限，到沿途動物默默負重前行的景象，都成為此次創作的重要精神來源。藝術家在山行途中不斷與自身內在對話，並透過誦念與步行，在高海拔環境中重新感知身體與意識之間的關係。對她而言，身體本身即是一座神聖的殿堂，而所有關於神性的追尋，最終仍回到內在自身。
另一方面，法國科西嘉島的駐村經驗則帶來截然不同的視野轉變。當地自由而包容的人文氛圍，以及藝術創作者之間坦率直接的交流，使藝術家重新思考創作存在的價值與意義。在駐村期間，曾詩涵與來自不同領域的動畫師、電影導演交流創作歷程，也更加確認藝術不只是個人情感的抒發，更是一種能夠與他人產生精神共振的媒介。
此次展覽除了展出2026年全新創作，也將回望藝術家近年不同階段的重要作品脈絡。新作中可見喜馬拉雅山脈的地景、樹木、河流、石礫與動物等具象元素，同時融合藝術家長期關注的光、能量與靈性意象。畫面中大量運用膠彩中的「揉紙技法」，透過紙張皺褶所形成的自然紋理，結合礦物顏料、新岩顏料與土顏料的堆疊，營造出如山脈岩層般的肌理與空氣感。藝術家亦以毛筆細膩描繪植物與動物形象，並透過手指直接塗抹顏料，使創作行為更貼近身體與土地之間的直接感知。
此外，曾詩涵也於此次展覽中嘗試手工製作「手抄紙」，並在其上描繪帶有神秘色彩的靈獸形象。這些作品延續她近年對於精神性與能量場域的探索，也進一步將自然、神話與內在意識交織成視覺語言。
從2020年親人離世後的內在探索，到此次面對山脈與世界的行走經驗，曾詩涵的創作始終圍繞著「轉化」與「光」的追尋。她透過碎形般的色彩、流動性的筆觸與充滿呼吸感的空間結構，試圖將那些難以言說的感知轉化為畫面中的精神場域。觀者在觀看作品時，不只是觀看風景或圖像，更像是進入一段關於生命、自然與自我意識的漫長旅程。
《吟遊於母星之間》不僅是一場關於旅行與自然的展覽，更是一場對內在世界的凝視。藝術家透過作品邀請觀眾重新感受身體、情感與世界之間的細微連結，在不同生命經驗的流動之中，尋找屬於自身的精神座標。
曾詩涵與阿波羅畫廊合作多年，最早於2016年參與台北國際當代藝術博覽會 Young Art Taipei 2016（YAT 2016），其後於2017年即參與阿波羅畫廊新銳畫家助長計畫《楊桃派》，並持續參與畫廊策劃之展覽與藝術博覽會，包括《未來光》差異化時代的台灣青年膠彩畫家、臺北國際藝術博覽會、臺南藝博、臺中藝博、ONE ART Taipei 等展出。多年來，阿波羅畫廊持續關注並推動曾詩涵的創作發展，見證其從膠彩與水墨創作出發，逐步轉向精神性、自然感知與內在轉化的藝術實踐。此次《吟遊於母星之間》亦可視為藝術家與畫廊長期合作脈絡中的重要個展呈現。
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展覽｜藝術家個展《吟遊於母星之間》
展期｜2026.06.20 – 2026.08.01
地點｜阿波羅畫廊 (106臺北市大安區車層里忠孝東路四段218-6號2樓)
Wandering Between Origins
TSENG Shih-Han Solo Exhibition
2026.06.20 – 2026.08.01
This exhibition centers on Taiwanese artist TSENG Shih-Han’s recent life journeys and processes of spiritual transformation. The works are inspired by her trek to Everest Base Camp (EBC) in the Himalayas of Nepal during April to May 2025, as well as the cultural experiences and perspectives encountered during her residency in Corsica, France later that year. Through layered applications of mineral pigments, ink, and traditional Eastern painting materials, the artist reconstructs a profound connection between mountains, earth, and inner consciousness.
TSENG Shih-Han has long regarded Nihonga and mineral pigment painting as the core of her artistic practice. In recent years, her work has gradually shifted from figurative narrative toward explorations of spirituality and intuitive perception. In this exhibition, the artist transforms her experiences of nature into traces of energy embedded within the paintings. The freezing thin air of the Himalayas, the unpredictability of the environment, the limits of the body, and the silent labor of animals carrying supplies through the mountains all became significant spiritual impressions within her creative process.
During the trek, the artist continuously entered into dialogue with her inner self through walking and chanting, rediscovering the relationship between body and consciousness within extreme landscapes. For TSENG, the body itself became a sacred sanctuary, and every pursuit of divinity ultimately returned inward.
In contrast, her residency experience in Corsica opened an entirely different perspective. The atmosphere of freedom, openness, and humanistic beauty in France profoundly impacted the artist’s understanding of creative existence. During the residency, TSENG shared her decade-long artistic journey with visiting animators and film directors, receiving deeply emotional responses that reaffirmed the value and necessity of artistic creation as a means of spiritual resonance beyond personal expression.
This exhibition presents both new works created in 2026 and selected pieces from previous periods of the artist’s practice. The recent works incorporate landscapes from the Himalayas, including mountains, rivers, trees, stones, and animals, while intertwining recurring motifs of light, energy, and spirituality. Many works employ the traditional crumpling-paper technique used in Nihonga painting, allowing wrinkles and tex
2026.06.20 – 2026.08.01
本次展覽聚焦藝術家近年重要生命旅程與精神轉化歷程，作品靈感來自2025年前往尼泊爾喜馬拉雅山聖母峰基地營（Everest Base Camp, EBC）健行的經驗，以及同年於法國科西嘉島駐村期間所感受到的人文氛圍與文化衝擊。透過膠彩、水墨與礦物顏料層層堆疊的畫面語彙，藝術家重新編織山脈、大地與內在心識之間的深層連結。
曾詩涵長期以膠彩媒材作為創作核心，近年作品逐漸從具象敘事轉向精神性與內在感知的探索。此次展覽中，藝術家將旅途中對於自然環境的深刻感受轉化為畫面中的能量痕跡。從喜馬拉雅山脈寒冷稀薄的空氣、不可預測的氣候與身體極限，到沿途動物默默負重前行的景象，都成為此次創作的重要精神來源。藝術家在山行途中不斷與自身內在對話，並透過誦念與步行，在高海拔環境中重新感知身體與意識之間的關係。對她而言，身體本身即是一座神聖的殿堂，而所有關於神性的追尋，最終仍回到內在自身。
另一方面，法國科西嘉島的駐村經驗則帶來截然不同的視野轉變。當地自由而包容的人文氛圍，以及藝術創作者之間坦率直接的交流，使藝術家重新思考創作存在的價值與意義。在駐村期間，曾詩涵與來自不同領域的動畫師、電影導演交流創作歷程，也更加確認藝術不只是個人情感的抒發，更是一種能夠與他人產生精神共振的媒介。
此次展覽除了展出2026年全新創作，也將回望藝術家近年不同階段的重要作品脈絡。新作中可見喜馬拉雅山脈的地景、樹木、河流、石礫與動物等具象元素，同時融合藝術家長期關注的光、能量與靈性意象。畫面中大量運用膠彩中的「揉紙技法」，透過紙張皺褶所形成的自然紋理，結合礦物顏料、新岩顏料與土顏料的堆疊，營造出如山脈岩層般的肌理與空氣感。藝術家亦以毛筆細膩描繪植物與動物形象，並透過手指直接塗抹顏料，使創作行為更貼近身體與土地之間的直接感知。
此外，曾詩涵也於此次展覽中嘗試手工製作「手抄紙」，並在其上描繪帶有神秘色彩的靈獸形象。這些作品延續她近年對於精神性與能量場域的探索，也進一步將自然、神話與內在意識交織成視覺語言。
從2020年親人離世後的內在探索，到此次面對山脈與世界的行走經驗，曾詩涵的創作始終圍繞著「轉化」與「光」的追尋。她透過碎形般的色彩、流動性的筆觸與充滿呼吸感的空間結構，試圖將那些難以言說的感知轉化為畫面中的精神場域。觀者在觀看作品時，不只是觀看風景或圖像，更像是進入一段關於生命、自然與自我意識的漫長旅程。
《吟遊於母星之間》不僅是一場關於旅行與自然的展覽，更是一場對內在世界的凝視。藝術家透過作品邀請觀眾重新感受身體、情感與世界之間的細微連結，在不同生命經驗的流動之中，尋找屬於自身的精神座標。
曾詩涵與阿波羅畫廊合作多年，最早於2016年參與台北國際當代藝術博覽會 Young Art Taipei 2016（YAT 2016），其後於2017年即參與阿波羅畫廊新銳畫家助長計畫《楊桃派》，並持續參與畫廊策劃之展覽與藝術博覽會，包括《未來光》差異化時代的台灣青年膠彩畫家、臺北國際藝術博覽會、臺南藝博、臺中藝博、ONE ART Taipei 等展出。多年來，阿波羅畫廊持續關注並推動曾詩涵的創作發展，見證其從膠彩與水墨創作出發，逐步轉向精神性、自然感知與內在轉化的藝術實踐。此次《吟遊於母星之間》亦可視為藝術家與畫廊長期合作脈絡中的重要個展呈現。
━━━━━━━━━━━━━━
展覽｜藝術家個展《吟遊於母星之間》
展期｜2026.06.20 – 2026.08.01
地點｜阿波羅畫廊 (106臺北市大安區車層里忠孝東路四段218-6號2樓)
Wandering Between Origins
TSENG Shih-Han Solo Exhibition
2026.06.20 – 2026.08.01
This exhibition centers on Taiwanese artist TSENG Shih-Han’s recent life journeys and processes of spiritual transformation. The works are inspired by her trek to Everest Base Camp (EBC) in the Himalayas of Nepal during April to May 2025, as well as the cultural experiences and perspectives encountered during her residency in Corsica, France later that year. Through layered applications of mineral pigments, ink, and traditional Eastern painting materials, the artist reconstructs a profound connection between mountains, earth, and inner consciousness.
TSENG Shih-Han has long regarded Nihonga and mineral pigment painting as the core of her artistic practice. In recent years, her work has gradually shifted from figurative narrative toward explorations of spirituality and intuitive perception. In this exhibition, the artist transforms her experiences of nature into traces of energy embedded within the paintings. The freezing thin air of the Himalayas, the unpredictability of the environment, the limits of the body, and the silent labor of animals carrying supplies through the mountains all became significant spiritual impressions within her creative process.
During the trek, the artist continuously entered into dialogue with her inner self through walking and chanting, rediscovering the relationship between body and consciousness within extreme landscapes. For TSENG, the body itself became a sacred sanctuary, and every pursuit of divinity ultimately returned inward.
In contrast, her residency experience in Corsica opened an entirely different perspective. The atmosphere of freedom, openness, and humanistic beauty in France profoundly impacted the artist’s understanding of creative existence. During the residency, TSENG shared her decade-long artistic journey with visiting animators and film directors, receiving deeply emotional responses that reaffirmed the value and necessity of artistic creation as a means of spiritual resonance beyond personal expression.
This exhibition presents both new works created in 2026 and selected pieces from previous periods of the artist’s practice. The recent works incorporate landscapes from the Himalayas, including mountains, rivers, trees, stones, and animals, while intertwining recurring motifs of light, energy, and spirituality. Many works employ the traditional crumpling-paper technique used in Nihonga painting, allowing wrinkles and tex
活動詳情
- 2026-06-20 — 阿波羅畫廊
