Exhibitions Now On
The Art of Virtuous Beauty: Taiwan Crafts and Design Exhibition (Shan-Mei Chih I: T'ai-Wan Kung-I Yü She-Chi Chan)
"The Art of Virtuous Beauty: Taiwan Crafts and Design Exhibition" is organized in response to "Beautiful Work: Czech Crafts Exhibition" (Chüeh-Mei Tsao-Wu: Chieh-K'o Kung-I Yü She-Chi Chan). The contemporary innovation of traditional crafts, emphasis on generational传承, and innovative thinking of traditional techniques mentioned in the Czech crafts exhibition can also find similar resonance in Taiwanese crafts: both emphasize the deep cultivation and importance of local culture. "The Art of Virtuous Beauty: Taiwan Crafts and Design Exhibition" invites the audience to appreciate the beauty of Taiwanese crafts while viewing the Czech crafts exhibition, reflected in the传承, co-creation, and revitalization of crafts.
"The Art of Virtuous Beauty" focuses on the spiritual practice and generational传承 of Taiwanese crafts in contemporary society. Virtue (Shan) is the cherishing of materials and the land; Beauty (Mei) is the harmony between form and life; Art (Yi) is the crystallization of wisdom completed by hand and heart together. When the three meet, craft is not only a display of technique but also brings cultural warmth to humanity in a rapidly developing era.
The core of the exhibition is established on the mutual teaching and learning between mid-career craft artists and designers and the younger generation. From the works, it can be seen that these craft artists, who are at their creative maturity, not only impart skills but also guide with an open vision how to think about the relationship between materials, life, and society, so that the works, based on traditional techniques, display more diverse and vivid life propositions. They take life as the starting point, family as the scale, start from "relationships" and "care," connect hands and mind, incorporate "life" itself into creative thinking, and then generate emotions towards objects, realizing the concept of "cherishing things" (Hsi Wu). Through the practice of objects, they transform life needs into concrete forms, allowing creators to gradually realize the deep connection between craft and life in the process of shaping materials into vessels.
This is a meeting of a Bole (Po-Le) and a thousand-li horse (Ch'ien-Li Ma). This interaction is not a one-way transmission of skills but a co-generation of values. Craft artists rethink the contemporary meaning of craft in teaching, while designers establish contemporary life views and rule-breaking vocabulary in creative practice. Each innovative work is like spring water gushing from the land, converging into a continuously flowing long river, unfolding the ever-spreading pulse of craft innovation.
The abundant craft heritage of the land of Taiwan originates from 70% forest nurturing rich natural resources. The wood and bamboo plants on the ground are visible material treasures; the water sources hidden beneath the surface are like local springs waiting to be discovered. Craft artists use natural materials to create beautiful vessels, like digging out springs, shaping the unique local genetic characteristics. When springs emerge one after another, they eventually converge into a vibrant living water lake, presenting a flowing cultural vitality in the lake.
In "The Art of Virtuous Beauty" exhibition, we see the new charm of craft sparked by generational传承 and innovative practice, like the rich ecology in the living water lake, nourishing and generating each other. When the lake water flows smoothly into the sea, carrying craft vessels with the capacity of a sea receiving all rivers, Taiwanese crafts will continue to exchange with the world amidst the tides, opening a new channel belonging to the future.
"The Art of Virtuous Beauty" focuses on the spiritual practice and generational legacy of Taiwanese crafts within contemporary society. Virtue (Shan) lies in the profound cherishing of materials and the land; Beauty (Mei) is the harmony between form and daily life; Art (Yi) is the crystallization of wisdom born from the synergy of hand and heart. When these three converge, craft transcends mere technique, radiating cultural warmth into our fast-paced modern era.
At the exhibition's core is the mutual mentorship between mid-career craft artists, designers, and the younger generation. Through these works, we see creators at their artistic peak—not only transmitting skills but offering an expansive vision on the interplay between materials, life, and society. Building upon traditional techniques, their pieces manifest diverse and vivid life philosophies. Rooted in daily life and scaled to the family, they begin with "relationships" and "care," linking hands and mind to weave the essence of living into creat
"The Art of Virtuous Beauty" focuses on the spiritual practice and generational传承 of Taiwanese crafts in contemporary society. Virtue (Shan) is the cherishing of materials and the land; Beauty (Mei) is the harmony between form and life; Art (Yi) is the crystallization of wisdom completed by hand and heart together. When the three meet, craft is not only a display of technique but also brings cultural warmth to humanity in a rapidly developing era.
The core of the exhibition is established on the mutual teaching and learning between mid-career craft artists and designers and the younger generation. From the works, it can be seen that these craft artists, who are at their creative maturity, not only impart skills but also guide with an open vision how to think about the relationship between materials, life, and society, so that the works, based on traditional techniques, display more diverse and vivid life propositions. They take life as the starting point, family as the scale, start from "relationships" and "care," connect hands and mind, incorporate "life" itself into creative thinking, and then generate emotions towards objects, realizing the concept of "cherishing things" (Hsi Wu). Through the practice of objects, they transform life needs into concrete forms, allowing creators to gradually realize the deep connection between craft and life in the process of shaping materials into vessels.
This is a meeting of a Bole (Po-Le) and a thousand-li horse (Ch'ien-Li Ma). This interaction is not a one-way transmission of skills but a co-generation of values. Craft artists rethink the contemporary meaning of craft in teaching, while designers establish contemporary life views and rule-breaking vocabulary in creative practice. Each innovative work is like spring water gushing from the land, converging into a continuously flowing long river, unfolding the ever-spreading pulse of craft innovation.
The abundant craft heritage of the land of Taiwan originates from 70% forest nurturing rich natural resources. The wood and bamboo plants on the ground are visible material treasures; the water sources hidden beneath the surface are like local springs waiting to be discovered. Craft artists use natural materials to create beautiful vessels, like digging out springs, shaping the unique local genetic characteristics. When springs emerge one after another, they eventually converge into a vibrant living water lake, presenting a flowing cultural vitality in the lake.
In "The Art of Virtuous Beauty" exhibition, we see the new charm of craft sparked by generational传承 and innovative practice, like the rich ecology in the living water lake, nourishing and generating each other. When the lake water flows smoothly into the sea, carrying craft vessels with the capacity of a sea receiving all rivers, Taiwanese crafts will continue to exchange with the world amidst the tides, opening a new channel belonging to the future.
"The Art of Virtuous Beauty" focuses on the spiritual practice and generational legacy of Taiwanese crafts within contemporary society. Virtue (Shan) lies in the profound cherishing of materials and the land; Beauty (Mei) is the harmony between form and daily life; Art (Yi) is the crystallization of wisdom born from the synergy of hand and heart. When these three converge, craft transcends mere technique, radiating cultural warmth into our fast-paced modern era.
At the exhibition's core is the mutual mentorship between mid-career craft artists, designers, and the younger generation. Through these works, we see creators at their artistic peak—not only transmitting skills but offering an expansive vision on the interplay between materials, life, and society. Building upon traditional techniques, their pieces manifest diverse and vivid life philosophies. Rooted in daily life and scaled to the family, they begin with "relationships" and "care," linking hands and mind to weave the essence of living into creat
Event Details
- 2026-04-02 — 國立臺灣工藝研究發展中心-臺北當代工藝設計分館